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Trust Weighted
Great
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79Trust Points
Wick's Review
Summary - Great 4.0
This early Al Pacino classic holds up well, especially as a prototype for the bevy of counterculture hero and realistic cop movies that followed.
Highly recommended for cop movie fans, Pacino fans and those interested in 60s counterculture.
Acting - Very Good 3.5
Pacino’s perfect performance outshines everyone else on screen. His nasally hippie-cop remains an icon of cool, and established him as a counter-culture posterboy, right up there with Dustin Hoffman’s Ratso Rizzo and other non-John Waynes. Coming a year after his breakout performance in the Godfather, Serpico marked Pacino as an actor of uncommon range and power.
Tony Roberts – always distinctive – provides the only other memorable performance. His stoner scene with Pacino is a classic hoot.
Male Stars - Perfect 5.0
Female Stars - Good 3.0
Female Costars - Good 3.0
Male Costars - Very Good 3.5
Film - Great 4.0
What we often think of as the 60s actually happened – or went wide – in the 70s. This movie proves the point, showing the evolution of a clean-cut, ethnic cop into a shaggy, sensitive seeker living the bohemian life in Greenwich Village.
Apparently they filmed this progression in reverse. According to IMDB, “Al Pacino began with long hair and a beard, then for each scene, his hair and beard were trimmed bit by bit until he became clean-cut.”
Direction - Great 4.0
Dialogue - Really Great 4.5
Music - Good 3.0
Visuals - Perfect 5.0
Edge - Risqué 1.9
Mild by current standards, though two scenes stand out. Serpico gets shot in the face, with the aftermath well depicted. He also gets dumped by his girlfriend while they’re taking a bath together, with the camera lingering on their bare chests.
Interestingly, the starlet playing the faithless girlfriend apparently later married Serpico producer Martin Bregman, demonstrating yet again that there’s no business like show business.
Sex Titillating 1.6
Violence Fierce 2.0
Rudeness Salty 2.0
Reality - Glib 1.2
Impressively realistic according to most accounts. In fact, much of the movie’s impact stemmed from being one of the first accurate depictions of police life, even absent the corruption. Subsequent movies and TV shows – like Hill Street Blues – were soon to emulate this realism.
Even Serpico’s gunshot to the face and its aftermath are accurate, as far as his Wikipedia bio is concerned.