Before Zack Snyder moved onto the big-studio films of “300” and “Watchmen” he directed this remake of George A. Romero’s “Dawn of the Dead,” surprisingly matching the 1978 work of the horror master in a horror film that is at once urgent, frenzied and unforgiving. “Dawn of the Dead” is a work of cinematic bleakness, nihilistic in its violence and refreshing in how its central zombies actually feel like a threat — here they run and scream after the victims they intend to tear apart, as opposed to stumbling drunkenly towards them. A mall stands as the abode for the group of protagonists, who randomly meet as they attempt to escape the sudden outbreak of ravenous undead.
The acting is actually pretty damn good, talent as Sarah Polley, Mekhi Phifer, Jake Weber and Lindy Booth turning in some of the film’s better performances.