This ultimate princess movie recounts one of history’s greatest love stories. But it’s more than a chick flick given the lens it provides into the geopolitical machinations at the heart of the greatest empire the world has ever known. Students of history and those interested in the British monarchy will find it breathtaking.
The origin story of Queen Victoria, it honors its royal subject by replacing the popular image of a dour old widow with that of a strong and beautiful girl whose great gifts included character, willpower and the British monarchy as the Empire rose to its apotheosis. Yeah, that last one is pretty boffo.
The Young Victoria makes this nearly ancient story seem fresh to 21st Century eyes, without applying an overtly modern sensibility. Brilliant!
Victoria and Albert (her husband) were creatures of their time and station. Their success in loving each other and in modernizing the British monarchy deserves to be celebrated, as does The Young Victoria.
Emily Blunt – whom I’ve long derided but recently praised – proves herself a better actress than I am a critic by ably playing the longest reigning Queen and most powerful woman in history. She shows the girl and then the woman inside the ultimate Ice Queen.
Rupert Friend’s Prince Albert matches her turn for turn, as only seems appropriate. More importantly for girls interested in this Princess story, he’s quite the pretty boy, notwithstanding the wispy whiskers that were the fashion of the day.
The stellar cast includes many standouts:
Hugely romantic, albeit non-sensual (Victorian sensibilities and all), the film brings to life the resplendent existence of the most privileged people who ever lived. It also shows the ridiculousness of that existence, some of which Prince Albert put to right as he gained power, the beginnings of which the film well shows.
The Young Victoria’s producers include Sarah Ferguson, the royal Duchess of York, and Martin Scorsese, the cinematic Duke of New York. Fergie has written a couple of books on Queen Victoria. Clearly her personal experience as a Royal gives her unique insight.
Along with French-Canadian director Jean-Marc Vallée and British patriotic writer Julian Fellowes, they should be immensely proud of their production.
Victorian sensibilities reign, notwithstanding a modest wedding night scene.
Raised by a German mother, wife of a German prince, yet destined to be Queen of England for over 60 years, Victoria’s name – suffixed with an n – would come to designate many things: an era when the sun never set on the British Empire, and repressed sexuality, to name two, not to mention San Francisco’s favorite style of residential architecture.
Victoria & Albert reigned together for 20 years, Victoria going on alone for a full 40 years after typhoid took Albert from her when he was only 42. No British sovereign reigned longer. It’s safe to say none had as happy or successful a marriage either: The offspring of their nine children went on to populate the royal palaces of Europe while the Widow Queen’s love for her Prince never slackened through the decades that followed his death.
Amazingly, the Bedchamber Crisis depicted in the movie really happened. Ridiculous but true.
The movie is guilty of two rFactor liberties, described in the CircoReality commentary below. Warning: Reading about them contains a bit of a plot spoiler.