Mannered, overtly creepy and a bit wearying, Scorsese’s trip inside one man’s tortured mind is never less than showy-great movie making. You expected something less from the Master? Instead he gives us something more: a big twist worthy of Fight Club. Unlike that rollicking classic however, Scorsese’s nightmare doesn’t beg to be seen a second time, so gruesome are its vistas.
Nor does Shutter Island beg that you love it, just that you respect and are creeped out by it. This it easily achieves. As a nightmare come to life, with some stunningly realized massacres staged along the way, it falls on the horror side of thriller. Thus it will satisfy the slasher crowd as much as the art house set.
DiCaprio, Di Niro & Scorsese sounds like an Italian-American law firm.
Leo’s now made four movies with Marty, half as many as Bobby. Unlike the latter’s Raging Bull and Goodfellas however, Shutter Island – like Leo’s other Scorsese movies – is a full beam shy of Perfect.
Another forced march with Leonardo, this one even more harrowing than in Body of Lies and Blood Diamond. He needs to do something lighter in his next picture. I’m just saying.
Nonetheless, DiCaprio’s acting reputation gets burnished by his trip through Dante’s Inferno, no doubt Scorsese’s assured direction providing him the proper guidance for exposing his character to the worst tragedies that a man can experience.
His costars are – if anything – better than him:
A film school clinic, Shutter Island steers clear of camp while revisiting old school pulp. Thus Scorsese is the directer Tarantino wants to be. While some might argue that Quentin is already there, Shutter Island makes clear that even when making a self-consciously mannered picture, Marty never stoops to josh, while Quentin always does.
Significantly, Shutter Island gave Scorsese the chance to turn his lens on the Holocaust in the form of the liberation of Dachau. The result is a series of nightmarishly frozen images that remain seared in the mind’s eye after the house lights come up.
Several instances of once-in-a-century inhumanity are brought to life: a mother drowns her children (a la Andrea Yates) and US GIs encounter piles of corpses upon liberating the Dachau concentration camp. Oh yeah, lobotomy is also part of the plot. Lovely.
The movie makes much of DiCaprio’s character having been one of the GIs who liberated Dachau. This seems accurately shown, other than the frozen corpses. The liberation of Dachau occurred in late April.
The movie also seems to hype the so-called Dachau massacre beyond what apparently happened.
BTW, can anyone blame the GIs for mowing down the SS guards at Dachau? General Patton surely didn’t. Good thing the Huffington Post wasn’t operating back then.
Oh yeah, Shutter Island? Fictional.
Regarding hurwizzle’s Review
Interesting. It was the reverse for me: liked the movie but not the trailer.
Regarding hurwizzle’s Review
I enjoyed the trailer more than I enjoyed the movie. Damn.
OMG Thank you for posting a review, Wick. I’ve been hearing so many mixed reactions and from what I saw on “At the Movies”, it wasn’t lookin too good but now that I’ve seen your review, this is surely gonna be a great one.
That’s encouraging Iz. I have to say I’d been kinda turned off by the trailer, even though the combo of Scorsese and DiCaprio is pretty much sure fire. But your recommendation about the book encourages me to want to see it for sure now.
I just got done reading the book and it was amazing… hope to see the movie when it comes out