Brilliantly High Concept. Funny, sexy, and thought provoking, though many people seem to miss the humor.
The performances are good to great. This movie provides continued proof, as if Apollo 13 wasn’t enough, that Joan Allen is the Queen of Conflicted Domesticity. Her still waters run so deep the ripples on the surface are positively momentous. The wizened look on her face following her first orgasm is movie acting par excellence. Her “I don’t want it to go away!” declaration makes this movie more substantial than either BTTF or Gump.
Pleasantville’s what the Hollywood swells call ‘High Concept,’ only most HC movies aren’t as brilliantly executed as this: 50s TV-land as ‘traditional’ values Garden of Eden, so long as everyone stays nice and straight. And boring. Within this HC, the brilliant writer, director, and producer (guess that makes him an auteur) Gary Ross (he of the terrific screenplays for Dave and Big, and a name to remember from now on) delivers a wonderfully nuanced and extended tour of American lifestyle migration over the last 40 years. This, of course, is the road originally traveled by Back to the Future and its generally very good sequels, not to mention the richly entertaining genre sibling Forest Gump. Whereas the ideas advanced in those fine movies never strayed far from basic pop culture, Pleasantville goes further, to gender and social role evolution.