The Guard touches perfection here and there, is otherwise mostly great, but gets held back by a merely OK screenplay. Fortunately a crafty Brendan Gleeson drives plenty of deadpan comedy for a very good movie.
So what if it’s not a classic. It’s got brilliant visuals, a handful of LOLs and several gorgeous girls. That’s a recipe for success in Ireland or anywhere else.
What kind of guard are we talking about here? The Gardaà (“Guardians”) is the Irish police force. So a garda is a national cop & local constable all in one. Garda rhymes with scared. In Ireland it does anyway.
Gleeson plays a Garda who’s a little over the edge: mildly corrupt and prone to self-medicating, but extremely canny and a good cop in the end. When a major drug smuggling interdiction comes to his western Irish hamlet, all hell breaks loose.
Great cast, great direction and outstanding visuals make The Guard a safe bet for lighthearted viewing. Given its small theatrical run, look for it soon OD.
That said, most guys will find Dominique McElligott’s appearance worth the price of a ticket all by herself. Even better, she’s not working alone. That’s her and her partner in the WikChip. Hands up!
Easily Brendan Gleeson’s best performance, at least to this non-Brendan Gleeson fan. Couldn’t warm up to him in In Bruges, mostly because I couldn’t warm up to In Bruges. This ain’t that. He’s kinda likable as a cliche cop in his native Ireland.
Don Cheadle acquits himself well as an FBI Agent on the trail of $500 million in cocaine, or “half a billion,” as the movie cheekily points out. One way to snag lucky parts like this is to make your own opportunities. Cheadle does, appearing in the credits twice, as Executive Producer and co-star.
Dominique McElligott lights up the screen, working alongside fellow gorgeous girl Sarah Greene. McElligott – the living pinup from Moon – deserves leading lady status. If Helen of Troy’s beauty launched 1,000 ships, Dominique of Dublin’s beauty is at least a Centihelen, capable of getting 100 screws turning. Properly handled, Miss McElligott could be the second coming of Grace Kelly.
Mark Strong makes a killer killer, as he proved in Kick-Ass and Sherlock Holmes, to name two. The guy never gives a bad performance.
Other highlights from the strong cast:
Writer-director John Michael McDonagh deserves another commission after this mostly successful maiden voyage. That said, he’s apparently a better director than screenwriter.
Rude and randy.