Brilliant acting from Jimmy Stewart, along with a state-of-the-art set, and artful direction, helps make Rear Window a masterpiece.
Stewart plays Jeff, a photographer confined to a wheelchair while he recovers from a broken leg. With limited means of mobility, he relies on watching his neighbors from his window. Through binoculars, he introduces us to a cross-section of society, including a lonely spinstress, newlyweds, a music-writing bachelor, a young dancer, and a jewelry salesman. Through this voyeuristic world, Jeff witnesses activity that makes him think a murder may have occurred. But did it really, or is he just the victim over an over-imagination?
Director Alfred Hitchcock does a masterful job in creating intrigue, suspense, and mystery, without resulting in gruesome imagery. You feel the sense of wonderment and shame that Jeff feels as he knowingly invades others lives, and become attached to the characters he watches, as they are silent, but important parts of his life.
Although the action is told almost entirely in Jeff’s apartment, it’s the creative set design and use of camera angles that elevates this story to perfection. Hitchcock’s attention to details creates a world of fascination, and a wonderful treat for the viewer.
Regarding BigdaddyDave’s Review
Terrific review BigD. I didn’t know about the apartment complex set built inside the sound stage before. Fascinating.