Deadly funny, Young Adult expertly skewers shallow Americana, especially the self-absorbed who drift through the sports bars, Hampton Inns and chain stores that delineate it. Nearly every scene tickles. Many are provocatively LOL, especially effective on those of us with a taste for really smart black humor.
Three superior talents make the movie. Golden star Charlize Theron plays a “Prom Queen Bitch from Hell” with perfect pitch. Writer Diablo Cody and director Jason Reitman prove that the sensibility behind Juno, their whip-smart take on contemporary female adolescence, is extensible to the arrested development of post-post-adolescence, or whatever you call a 39 year old who acts like an amoral twenty-something.
Mavis Gary – the “Prom Queen Bitch from Hell” – returns to her small hometown to reclaim an old boyfriend, notwithstanding that he’s married with a new baby. Between bouts of home-wrecking and boozing, she eavesdrops on snatches of girlish conversations as fodder for the Young Adult novels she writes. The literary heroine she creates is beautiful, popular and deserving – her self-image to a tee.
Charlize Theron’s triply brilliant performance is better even than the Monster role that earned her an Oscar. Being beautiful, being Charlize Theron beautiful, this star knows the power of beauty, so must fight her own Mavis Gary tendencies. Monster’s Aileen Wuornos – anything but beautiful – was just a role.
Theron’s performance communicates on three levels: how she acts towards other people, how she thinks she’s getting over, and how deluded both those are. Triply brilliant acting!
Declared a Prom Queen Bitch from Hell by a friend of the wife she’s trying to wrong, I’d like to declare her the Taxi Driver Prom Queen Bitch from Hell. Why Taxi Driver? De Niro’s Travis Bickle didn’t know he was crazy, even after it became apparent to those around him and those viewing the movie. Same with Theron’s Mavis Gary. She doesn’t know she’s crazy till she hits rock bottom, and even then she gets in her drunk-damaged car and drives away.
The rest of the cast takes a back seat to her glimmering brilliance.
There are also several great cameo players: Louisa Krause’s jaded Hampton Inn clerk, Elizabeth Ward Land’s horrified Macy’s clerk, John Forest’s upbeat paraplegic.
Four years after Diablo Cody and Jason Reitman delivered Juno, they’ve delivered a sordidly adult version in Young Adult. Juno 20 years later, with a bad booze problem, albeit that Juno herself was a good person whereas Young Adult’s Mavis Gary is a sociopath.
Her booze problem plays more as a character problem than a “drinking problem,” one of the film’s many penetrating insights. Wanna know what kind of stories former glamour queens tell at AA meetings? These are them, albeit punched up to a Hollywood level of glibness.
Full blown alcoholism gets vividly depicted via a high functioning drunk whose liver takes a beating even if her face and body barely reflect the ravages. Wow. The movie’s not advised for regretful AA members or those who haven’t forgiven them.
Regarding BrianSez’s Review
Another spot-on review Bri.