Starched and stilted, Witness for the Prosecution nonetheless packs one hell of a punch at the end, with glorious detail throughout and a powerhouse cast who are the complete masters of their juicy roles. Nevermind that its theatrical roots show. Agatha Christie knew how to write for max viewer satisfaction. Her play in the nonpareil hands of Golden Age director Billy Wilder results in a richly satisfying movie.
Thus, 21st century American audiences who crave brilliant courtroom drama will find Witness for the Prosecution a stiff British tonic, delivered with a generous helping of Hollywood panache.
The glorious detail includes the following credit – Miss Dietrich’s costume ….. Edith Head
Another is a detailed recreation of the Old Bailey, London’s venerable judicial edifice.
The movie proceeds with not a single young woman featured in it. The two female leads are a middle-aged nurse and a passion-bride of 56, married to a man in his 40s. The fact that it’s written by a middle-aged woman is not coincidental, I think.
Tyrone Power was the box office draw, but Charles Laughton, Elsa Lanchester and Marlene Dietrich dominate the movie. Power also happened to be a dead man walking, as explained in the Trivia below.
Laughton creates a brilliant British barrister of Churchillian proportions. Lanchester is tartly funny as his continually flummoxed nurse. Dietrich is exotic and dangerous and cool and mysterious. What a star! Her cabaret rendition of I May never Go Home Anymore is a bawdy classic.
A taste of each:
Now for some trivia.
And who’s that cutie in the gallery? Why it’s a 21 year old Ruta Lee, the starlet who later rescued her Lithuanian grandmother from Nikita Khrushchev’s Gulag. You can look it up.
Billy Wilder’s sharp camera angles look up at the judge in the Old Bailey and down from him to the barristers. Another “Wilder angle” is shown in the nearby pic, of the accusing wife looking up at her husband in the dock.
The trial starts 50 minutes in, with an hour to go. Defense begins with 35 minutes to go.
Circumstantially surreal, though the more interesting reality is the depiction of traditional old England. Two quick observations about that: