Ip Man 2 was supposed to focus on the legendary Grandmaster’s relationship with Bruce Lee, his most famous disciple. But Lee’s descendants didn’t go along with the plan, so the movie ends up being about Ip Man’s post-war struggles to establish Wing Chun kung fu in colonial Hong Kong. The result is decidedly less compelling than its great predecessor.
That said, this earnest movie is worth watching for kung fu fans. Its homegrown kung fu wu shu is surreal but distinctly eye-opening for those of us who grew up with the TV variety.
Most interesting is how Wing Chun is shown to be a purely efficient, cleanly modern way to fight. No wonder Bruce Lee seized on it and the world ate it up on movie screens and TV shows, live and animated.
Donnie Yen’s Ip Man is too pleasantly serene for my taste, albeit his fighting is first rate.
He’s joined by several characters from the first movie.
Amongst the large cast, Darren Shahlavi stands out as a boorish British boxing champion.
Absurdly choreographed fight scenes are intermingled with a portrait of the martial artist as saint: stoic, modest, restrained. His wife too, who doesn’t bother him from his fighting even when she goes into labor.
No need for the R rating the movie carries.
Nevermind the fanciful fighting, the movie features a British boxing champ who barnstorms to Hong Kong in the 50s. But there was no such Brit boxing champ, making filmmaker Wilson Yip guilty of cultural aggrandizement again.