Her is set in Los Angeles by way of Shanghai – palm trees, beaches and lots and lots of super tall towers. People barely engage with other people. They engage with cybots: robotic cyber-beings purringly delivered.
Scarlett Johansen turns in the sexiest performance of her career as Samantha, a cybot who just thought of her name a nanosecond ago. Sweet, saucy and seductive, ScoJo’s mouth turns out to be her sexiest organ.
Siri inspired, Spike Jonze created, Her hits several cinematic erogenous zones: important • SciFi • romance.
Joaquin Phoenix now has yet another famous name associated with his. Theodore Twombly is a man from the near future, a man like any of us. Well, any of us who live in a luxe Century City high-rise apartment. A man whose job is the apotheosis of English Major career success, a well paid Lit dude. Phoenix is a natural.
Another woman appears as an image in front of Theodore Twombly: May Lindstrom as the Sexy Pregnant TV Star. That’s a fetish I never understood.
Olivia Wilde as the Blind Date. That’s quite a Blind Date, more like Sexiest Blind Date Ever. Theodore Twombly rejects her, of course. The guy’s mental. La Wilde One is a total hottie – gorgeous, smart, eager.
Alone Together gets taken to new levels in Her. Passersby stream through public spaces conversing elsewhere: talking with people and cyber companions who are elsewhere or nowhere at all, save the cloud.
This all takes place in a placid and crime-free L.A. Odd for a futuristic Hollywood fantasy that it’s not apocalyptic and seething with class resentments. You know, like an Obama economics speech.
More spicy than Salty • One tick over Titillating into Erotic • Violence of the emotional kind = Risqué
Deconstructing “the first artificially intelligent operating system”, we see that Artificial Intelligence still has humanistic weight, even after all these years, technological generations and failed expectations. We also see that Operating System is a base level positioning of what the cyber companion is. When positioning, go with something base level and differentiate from there.
Theodore Twombly’s two devices never go missing, are always readily at hand: a phone-like object that’s hinged like an old-fashioned dual photo frame and an earpiece that’s a full headphone. Yet they have no home, other than the nearest horizontal surface to him or precariously hanging out of his breast pocket. Only in the movies.
Finally, here’s a fun exercise: Google “Her movie” and click Images. A bumper crop of gorgeous actresses appear, including a never hotter Amy Adams. Plus shots related to the movie. But it’s the adders that make it especially pleasant, albeit diverting.
Regarding BrianSez’s Review
Scarlett’s “the “Siri†that I really want!” Here, here!
It’s so interesting how smart people of like minds can have such disparate opinions. The cinematography, design – all the visual elements of Gravity were game-changers. I felt the conclusion was so flat. It struck me as a classic case of how much a bad conclusion can color an entire story.
Regarding Wick’s Review
Fair enough Terry, though my Best Pic of 2013 remains 12 Years a Slave, followed by Gravity. That said, I rated all three 5 out of 5 in terms of quality.
As to La Wilde One, you are so right.
Regarding Wick’s Review
Oh, and Olivia Wilde has the most compelling eyes of any actress in Hollywood. She’s so gorgeous, it’s criminal.
Regarding Wick’s Review
“Her†got my vote for Best Film of 2013.
I felt that two of the central themes of the film – the nature of consciousness, the limitations of being stuck in a meat-sack (a body) – are extremely profound.
Great script, great acting, great direction. This film is FAR superior to the ‘winner’ of the Oscar, “12 Years a Slaveâ€. While 12YAS is an IMPORTANT FILM, it’s not inspired. My wife, Robin, put it best. Even in the most dire circumstances, humans find humor. 12YAS was overly-somber (therefore an IMPORTANT FILM) but not a brilliant one.