A tin-can story full of tinny moments jolts a great cinema cyborg back to life, disappointingly. Sadly, the Robocop reboot suffers from a lack of heart, a surfeit of silly sardonicism and too much shallow bombast.
It does feature three great performances from three great moviestars: Samuel L. Jackson, Gary Oldman and Michael Keaton. Unfortunately they are supporting-actors in this barely supportable revivification. The leading man, er, cyborg, is played by Joel Kinnaman, a little known actor who is less handsome and less charismatic than Peter Weller, the legit moviestar who brought the original Robocop to life.
But it’s not the mixed quality cast that really drags the movie down. The blame lies with a screenplay that short circuits again and again in a futile bid to establish narrative cohesion from a pastiche of memes. #Fail
Brian says a true critic would rate RoboCop OK. My OK has more to do with renting RoboCop 1 the night before going out to see the reboot. (OK, maybe that’s what true critics do.) A quarter century after I saw its premiere, the original showed again what real heart in a tin-man can accomplish, especially in a film full of fresh smarts that stars a charismatic leading man, er, cyborg. They sure don’t make ’em like they used to.
Samuel L. Jackson dominates the movie right from the bombastic opening. His TV browbeater is a witless parody of the biggest man on cable news. The O’Reilly Factor becomes The Novak Element in RoboCop. Sam Jackson has no problem amping well beyond Bill O’Reilly’s extreme brio. If only the words he’s given to say were in service to something more than shallow satire.
Michael Keaton lends his distinctive charisma as the CEO of Omnicorp, part Steve Jobs, part Ernst Blofeld. Gary Oldman transfixes as his brilliant chief Doctor. Keaton and Oldman never deliver poor performances. Seeing them work together is a distinct treat.
Joel Kinnaman isn’t especially handsome or interesting. I’m guessing they didn’t have to pay him much for the opportunity to play RoboCop. Talk about a dehumanizing management decision. Abbie Cornish is more than adequate in the underwritten role of his wife. John Paul Ruttan is tender as their young son.
SUPPORTERS
Never seen the original? You might think this one is pretty good. Seen the original? This one’s barely OK.
2 Interesting Credits
Splat, Klank, Splat, Klank, Splat