300: Rise of an Empire is Greek history through a fantasy lens darkly, prequel and sequel to the ‘06 hit about King Leonidas and his band of 300. The new movie’s nearly 4x Reality factor stems from Frank Miller’s graphic novel, full of vainglorious liberties, supernatural contrivances and historic compression.
What we have here is Western Civilization vs. Eastern Subjugation. If Greece doesn’t win, there is no Western Civ: no Renaissance, no Shakespeare, no Rolling Stones. Pity then that Noam Murro and Zack Snyder employ ridiculous reality liberties and disappointing that their movie didn’t take on a political meme, what with its Persian leader fashioning himself a God, or at least God’s infallible consul on this mortal Earth. IOW, WWHH is an Iranian autocrat foisting megadeath on this mortal coil, our mortal coil.
A key element of Western Civ pokes through in a great line repeated twice in Murro and Snyder’s movie.
Freedom vs Freedom without Consequence and Responsibility
The latter isn’t freedom, at least as Western Liberalism defines it. Kudos for making this the plot pivot.
300 will remain the bigger hit, but I rate Rise of an Empire the better movie.
Sullivan Stapleton stands tall and strong as Athenian General Themistokles. Don’t worry. They know how to pronounce that name in the movie. Stapelton comes to the Alpha Male role naturally, a point he proved as one of the strapping older brothers in Animal Kingdom, a true-crime story from his native Australia.
Eva Green is great in the movie’s best performance by far. Her Queen Artemisia is a credible power behind the throne, commander of a great navy and a world class super badass. Badasses make action movies go.
Everyone else is merely very good, Sullivan Stapleton included.
300 II is definitely live action, albeit with freeze frames of animated blood flying all over the place. Thus it feels more alive than 300 did, as the first movie felt more animated than acted.
3, 4, 4 for Erotic, Savage and Nasty make 300: Rise of an Empire Horrid overall.
Breasts get bared, rape is a weapon of war and Eva Green’s Queen & Commander Artemisia uses wild sex as a way of getting her way with Greece. Not just the country, but the Empire that was about to rise.
Blood is the dominate image however. Lots of it, so much so they do typography with it.
Which Empire? The Greek Empire and by extension, the Western World. Nevermind that the Greeks were hardly paragons of liberalism, even the sophisticated Athenians. Slave labor was wide and indiscriminate.
What of the Persians? Here’s a fun fact. Xerxes, the God-King in the movie, is known to Jews through the millennia as Ahasuerus, star of the Book of Esther, from which the Purim holiday derives.