The Rolling Stones, the Allman Brothers, Aretha Franklin, Wilson Pickett, Etta James and Percy Sledge did their best work in Muscle Shoals, Alabama. Lynyrd Skynyrd added the piano intro to Freebird while there. This Muscle Shoals documentary covers all that rocking glory, with Bono commentating along the way.
Muscle Shoals stands with Motown as a twin tower of 60s & 70s American popular music, just as Muscle Shoals stands with Standing in the Shadows of Motown as a perfect documentary of their time and place.
Muscle Shoals has a rockstar parade you won’t encounter anywhere else: Percy Sledge, Keith Richards, Mick Jagger and especially Aretha Franklin, who recorded R-E-S-P-E-C-T with the Muscle Shoals Rhythm Section in the Big Apple. The Queen of Soul said of those white players: “they played greasy.”
Rick Hall emerges as the Godfather of Muscle Shoals, a white Berry Gordie from the dirt poor Deep South. A genius producer, writer, arranger, engineer & entrepreneur, Hall started dirt poor but rode mighty high.
Donna Godchaux reminisces about when the stars fell on Alabama. She means stars like Jimmy Cliff – someone you wouldn’t think would play for a strong willed white producer – recorded Sitting in Limbo.
Wilson Pickett talks about making Land of 1,000 Dances, Mustang Sally & Funky Broadway with Hall and his fellow White boys. But it doesn’t end there, not by a long shot.
Southern Rock came from Muscle Shoals. Gregg Allman tells how brother Duane hightailed it out of L.A. for Muscle Shoals. Hanging out during a session break, longhaired Duane Allman suggested to handsome Wilson Pickett that they do Hey Jude. This was in ‘69 when Hey Jude was an instant classic from The Beatles. Duane takes off on slide guitar during the “JUDY JUDY WOW” part, using an empty Coricidin bottle to slide. Gregg Allman says that’s when and where Southern Rock was born. Musical Sex, as it were.
Lynyrd Skynyrd included “Muscle Shoals has got The Swampers” in Sweet Home Alabama. Leon Russell dubbed the Muscle Shoals Rhythm Section as The Swampers. Those that lived to tell are in Muscle Shoals.
Bono explains how Rick Hall and the Swampers pioneered the use of big bass – heavy guitar and drum. Bono goes on to say that Hall’s drum miking was world class technological sophistication for the time.
Muscle Shoals says we’re at our best in America when you “Might not know who was Black and who was White.” Black singers, White players, Black players but mostly White players: Mostly they all grew up poor. Percy Sledge started singing When a Man Loves a Woman working in the cotton fields.
Muscle Shoals is a wellspring of the powerfully pure R&B and Southern Rock that owned the 60s & 70s.
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This review written with the Muscle Shoals Soundtrack playing on repeat.
If the Stones, the Allman Brothers, Aretha, Skynyrd, Wilson Pickett, Etta James or lots more are among your favorites, their best moments are in Muscle Shoals because they recorded at and with Muscle Shoals.
Rookie documentarian Greg ‘Freddy’ Camalier has done himself proud creating it.
Beyond his film, there’s a great site supporting the picture