The original Wayne’s World was and is a great movie. It’s been repeated and overexposed since, coming on top of originating as a popular SNL sketch featuring Wayne and his even funnier friend Garth Algar. Fortunately it recaptures more than a little of its power when you’ve been away from it for a decade or two. And what power it had: catchphrases galore, a legendary singalong, extraordinary air guitar performances.
Mike Myers briefly became a superstar as Public Access Wayne, boosted by Dana Carvey’s inspired Garth. Together with a cleverly cast set of characters behind them, they made a throwaway pop culture comedy that actually stands the test of time. Party On Wayne! Party On Garth!
Catchphrases? Let us count a few.
Ok, not all of those originated with Wayne’s World, but all got a boost from it, which is excellent enough.
Mostly, Wayne’s World lives on as a terrific send-up of comfortably extended adolescence, which parties on to this day in Chicago, Toronto and most every city in the Western World.
Mike Myers went from TV to the silver screen in Wayne’s World, setting off a decade plus of major stardom that led to his equally popular Austin Powers movies. He ultimately ran out of gas, but his resolutely ebullient Wayne Campbell remains a first rate comedic creation.
Dana Carvey’s Garth was a simply brilliant creation: endearingly odd and touchingly vulnerable. Plus he was damn funny.
Director Penelope Spheeris injected an impressive amount of filmic brilliance to elevate Wayne’s World above most as-seen-on-TV comedies. To wit, subtitles that get way ahead of the spoken dialog are simply a brilliant touch: too funny and increasingly LOL. The clever and funny multiple endings are another.
Mild, not wild: not a bare breast, bong or F-bomb in the entire PG-13 movie. Mike Myers and director Penelope Spheeris entertainingly pulled those punches, for instance, having Myers engage in a bed romp with a fully clothed and babelicious Tia Carrere, while flashing “Gratuitous Sex Scene” on screen.