Wannabe superheroes are an obvious target for movie comedy. Wonder then that so few moviemakers try it, even if two did in 2010. Super may not be the funniest of that pair, but it’s plenty comical and surprisingly deep at the same time. You can see why writer-director James Gunn got Guardians of the Galaxy after this.
Regarding 2010’s superhero wannabe movies: Kick-Ass was better, but Super is damn good.
LOLs it’s got: for instance, the lose your head scene, with a corn dog on the brain; lots of lame comedy too.
Gunn’s movie is about faith in superheroes, even more about the faithful, including an ultimate tight-ass & a hookup libertine. Rainn Wilson & Ellen Page are nails as the Crimson Bolt & his girl Boltie, who’s gotten all squishy for him. Geeky sex appeal aside, Wilson’s tragicomic performance is surprisingly affecting.
Bam Pow and Duality of Identity get explored together, the silly enabling the serious. That’s all Gunn.
His brilliant closing, drawings and all, elevates his picture right at the end. Fine moviemaking, that. Pow!
Rainn Wilson is a better actor in Super than he was an Executive Producer. I’m no Rainn Wilson fan, yet found him brilliant as an everyday schmo who creates another identity for himself as The Crimson Bolt.
James Gunn wrote and directed Super, a comedy of awkwardness full of awkward comedy. It takes a major talent who is majorly committed to make a film this intense.
He’s a words-and-pictures guy. Consider the latter when people are shown in damn near Black & White, yet the ketchup on their french fries is bright red.
He kinda does a post-credits bit with a V.O.
Heavily titillating, enthusiastically profane and ultimately savage, Super is richly sordid.
James Gunn’s biggest achievement is keeping Super’s rFactor well below 2, accomplishing this by respecting the laws of nature – physical & biological – while not going too crazy with CircoReality, averaging out to a still glib 1.5.
That said, he slips in several fantasy scenes which don’t count against the rFactor because they are in the mind’s-eye of the lead character.
Matthew Vaughn pushed Kick-Ass’s reality all the way up to 2.5, much less real.