Two charismatic moviestars leading a super-strong cast; only-in-Florida story; Miami Vice visual stylings: not enough to push Michael Bay’s Pain & Gain over the top into greatness. At 129 minutes, it’s almost a third too fat. Two hours and 9 minutes is too much to ask when it comes to psychopathic entertainment.
An hour-and-a-half sure, especially when Mark Wahlberg & Dwayne Johnson bring their A games, supported by a classic Ed Harris & a delectable Bar Paly. But two plus hours is too much.
Pain & Gain purports to tell a true tale from nine months in ’95 & ’96. Michael Bay then tarted things up, almost to his typically surreal Bayesian level of presentation, which makes for lots of naughty laughs.
The script is chockablock with quotable proclamations, mostly from Wahlberg’s cunning conniver, who is prone to All American upbeat nostrums that he perverts into violent felonies. Here’s a typical highlight.
In the end after reviewing our past performance, we could come to only one conclusion.
We’re so much better when we wing it.
The nearby highlight vid includes this and more. The IMDb quote page documents those and plenty more.
The whole thing’s just a little too gleeful and more than a little too long in its powwow with psychopathy. Yet that’s how Michael Bay’s movie is now celebrated on Twitter. If that wasn’t what he intended, he’s in an “Out, damned spot!” situation, just like his characters. What do you think the chances are of that?
Mark Wahlberg is pumped-up to near Schwarzenegger levels as bodybuilding trainer Daniel Lugo, a guy with more cunning than smarts. Wahlberg makes him much more likable than he has any right being.
Anthony Mackie plays his numnuts buddy, a guy who injects PEDs in his butt yet still doesn’t look like Mr. Olympia. Mackie makes this roid-addled meathead more likable than he has any right being.
Dwayne Johnson plays their Herculean recruit, a coke-head whose recent attachment to Jesus isn’t too firm. Johnson makes this almost sympathetic soul terrifically likable, which don’t seem right either.
Michael Bay achieves near Michael Mann visual style in Pain & Gain. The opening scene of Wahlberg doing sit-ups while hanging high on an exterior wall is cinematic pop art.
The eminently quotable screenplay kicks butt also. It’s all just too long.
Compare and contrast: Seven Psychopaths is 110 minutes, nearly half-an-hour shorter than Pain & Gain.
The magazine article on which Pain & Gain is based documents the grilling of hands in order to burn off the fingerprints. Michael Bay was only too happy to include that in the movie. You’ve been warned.
Michael Bay purportedly tells a true story in Pain & Gain, so keeps things glib overall, mostly by keeping Bio and Physical reality near normal. But fooling with the facts elevates CircoReality well into surrealism. Wikipedia documents that considerable artistic license.
Regarding BrianSez’s Review
Helpful review Brian. I’ve been tempted to check this out and am now more tempted.