Dennis Lehane took a short-story set in his characteristic Boston and expanded it into a screenplay set in Brooklyn. This works, great writer that he is, even if the story’s legs don’t so much cohere as cohabitate.
The Drop won’t cohabitate as among his best with Mystic River and Gone Baby Gone, that’s for sure.
It still delivers great satisfaction however, especially featuring two of the greatest actors working today.
Make that working yesterday, as The Drop marks James Gandolfini’s last hurrah. He plays (played?) the kind of guy Tony Soprano preyed upon, which is perfect. He didn’t have to play at being an obese smoker, also perfect in a macabre way. Sadly but not surprisingly, his heart gave out shortly after the film wrapped.
Tom Hardy buddies up well to him as his junior partner. Hardy is the Brando of the 21st Century, a Brit who has no trouble sounding American born. Playing a kindhearted Brooklyn palooka, he’s nails.
Low-key in rFactor as well as storyline, notwithstanding more than a little murder, The Drop falls short of my 2014 Great Movies list, but is well worth seeking out. Lehane writing for Gandolfini & Hardy? Yep.
James Gandolfini had become the modern master of middle-aged organized crime figures, more laconic than De Niro or Pacino, able to convey a world of meaning with just a nod. Playing a player brought low by a new wave of crime family, he created a juicy character that is an appropriate capstone to his storied career.
Tom Hardy plays Good Guy, which is always a treat. That he does it sounding American-born puts him in Daniel Day-Lewis territory. There’s not a lot of actors out there.
Noomi Rapace disappoints as the girl he falls for, being less capable than him of playing foreign.
Lesser Lehane offers greater satisfaction than most crime films. Why lesser? The Drop is based on a Dennis Lehane short story expanded to feature film size. It feels a bit stretched as a result