Young Mr. Lincoln happily Hollywoodizes our future greatest President. It’s a funny and frequently illuminating movie. Young Henry Fonda played upstanding young men especially well, while John Ford remains one of Hollywood’s greatest directors, with Young Mr. Lincoln in the second tier of his canon.
This deserved hagiography of our most beloved American archetype celebrates Honest Abe’s good nature, gentle cunning and ragtag beginning. So what if it’s more inspired than exacting in relating Lincoln’s early career. The murder trial that animates the latter half is mostly true, albeit time-shifted. Abraham Lincoln really did get his client acquitted in quite dramatic fashion. Other elements of his life also shine through, making Young Mr. Lincoln historically satisfying even as it tickles our fancy about the lovable Lincoln.
It’s not for everyone however.
Largely un-ironic, John Ford’s 1939 B&W film is no doubt too cheesy for most 21st century sophisticates. But if you want a gut-level understanding of Lincoln’s America, Young Mr. Lincoln delivers the mail.
Henry Fonda was 33 when he played Abraham Lincoln for John Ford. We think of the great Fonda as an old man, but he was young once, the perfect young American to play Young Mr. Lincoln.
John Ford couldn’t call Young Mr. Lincoln one of his big hits, yet it stands the test of time, even if he stooped for hokey instead of standing for honesty. Box Office has always spoken louder than accuracy.
He earns an LOL with the tug-o-war scene. More significantly, he doesn’t flinch from showing Americans as simpletons prone to mob thinking. Yet the fact of Lincoln coming from that rabble is Ford’s message.
“All the slaves coming in, white folks couldn’t hardly make a living” said a son of antebellum Kentucky. Abraham Lincoln knew from an early age that slavery was wrong for everybody, not just for the slaves. Steven Spielberg’s Lincoln brings forth the same point made by then President Lincoln.
My research on 12 Years a Slave deepens the proposition.