The Sentinel came out in ‘06, halfway through Kiefer Sutherland’s bravura run as Jack Bauer on TV’s 24, the quintessential post-9/11 secret agent series. From there it’s a short hop to Secret Service mucky-muck in the Presidential Protective Division. Michael Douglas is also well-cast as his fellow stud senior-agent, the guy who is the First Lady’s personal bodyguard. She’s played by Kim Basinger, the refined sexpot herself.
Gee, what could go wrong there? Nothing the formula doesn’t dictate. Yes, The Sentinel is formulaic but well done, worthy of not changing the channel if you stumble upon it during late night TV.
Michael Douglas is the leading-man of the movie, notwithstanding that Kiefer Sutherland was the leading-man of the moment in ‘06. Douglas doesn’t disappoint, old enough to have many deep regrets, young enough to be deeply virile. Sutherland fares less well, performing the entire movie dressed up in a blue business suit. The formality keeps his inner Jack Bauer bottled up, turning him into just another hard ass.
The Sentinel is a classic Secret Service film in that it observes the POTUS from the perspective of the Secret Service’s Protective Intelligence Division, i.e., the team tasked with keeping him safe.
It opens with the Reagan assassination attempt, just as In the Line of Fire opened with the Kennedy assassination. It also follows the formula of focusing on an agent scarred by those protective failures.
I saw the “Modified for TV” version. So what. It was free.
The Secret Service was still legendary back in ‘06, before hooker parties and the White House’s unguarded front-door. Them’s were the days.
Couple of nice reality touches: