Batman v Superman: Dawn of Justice is as heavy as its pretentious title suggests, with nary a great performance to elevate it. Yet this DC Comics blockbuster ably fulfills its duty of teasing nine sequels.
It opens with a replay of Batman’s boyhood origin, Superman’s having been told by DC & Zack Snyder in the superior Man of Steel. Oriented half now, half in the ’40s, BvS presents an odd juxtaposition of iPads amid old-fashioned artifacts like newspapers and a candlepower beacon piercing the clouds: the Bat Signal.
Somber in the extreme, BvS includes only a single note of levity, Martha Kent’s quip “I figured. The cape.”
Nor does it have a happy ending, or a post-credit scene. Pity then that much of my theater waited out the interminable credits. That long list begs the question, how big a crew does $250 million buy? Thousands.
Dawn of Justice does have great scenes and great intentions, even as it falls well short of greatness itself.
See it grimly. See it if Batman, Superman, Wonder Woman or any other DC superhero matters to you.
Affleck has the best chin of all the Batmen before. Sadly, the Batman voice is as ridiculous as ever, which isn’t Big Ben’s fault. All modern Batmen have been so beset, Christian Bale most of all, one of the few flaws of The Dark Knight. Pity then that poor Ben has been afflicted with early-onset Birdman disease.
Gadot plays Diana Prince / Wonder Woman, a 5,000-year-old Amazonian princess and daughter of Zeus. Good to have an Israeli Wonder Woman allied with Superman, an id projection of an American Jew. Wonder Woman gets her own movie next year.
Cavill delivers a less impressive performance than he did in Man of Steel as Kal-El / Clark Kent / Superman. Of course, that was a much better movie, so it’s probably not his fault.
Adams also impresses less as Lois Lane than in Man of Steel. As with Cavill, it’s probably not her fault.
Eisenberg gets to be Lex Luthor, playing him as twitchy and addled. While he’s not that impressive in this movie, he’s promising for the sequel, in no small part because he will have a chrome-dome.
The whole Batman vs Superman thing is a DC Comics trick from back in the day: up the ante to sell lots of comic books. It was cheesy then and is so now, even if it’s dressed up with serious political issues.
The film does include several great scenes, such as the one where Superman returns a rescued child to his parents during a Day of the Dead celebration in Mexico.
In the end, this über-origin story tees up nine sequels, per Batman v Superman Clobbers Box Office. Suicide Squad and Wonder Woman will be the first up.
Batman remains what he’s always been, the most ridiculous superhero. He’s human inside the bat suit, after all. Iron Man is fully encased. This matters from a reality-distortion POV. Batman … never chips a tooth.
This is a problem when Batman fights truly supernatural beings, which he rarely does in his own movies.
Finally, Batman v Superman: Dawn of Justice purports to wrestle with serious political issues regarding how society fights evil. When is unilateral action acceptable? Whose fault is collateral damage? It does this ham-handedly, even for a comic book movie.