O Brother, Where Art Thou? looks stupid but is actually brilliant and brilliantly funny. Classic Coen Brothers is also what it is, a movie only their fertile minds and clever craft could conceive and consummate. For instance, George Clooney’s escaped con clambers aboard a box car and begins his patter to a bunch of hobos riding the rails. We know he’s chained to two compatriots running alongside the train, so see the joke coming, making it all the funnier when he gets yanked out of the car feet-first.
The title stems from Sullivan’s Travels in 1941. The director in Preston Sturges’ brilliant Hollywood spoof didn’t want to make another meaningless comedy, dreaming instead of a serious picture titled O Brother, Where Art Thou? The Coen Brothers followed through decades later, making a comedy with a kick.
The kick comes from spoofing the Jim Crow South. It’s done in such high style that it adds to the comedy. To wit, a wacky takeover of a KKK rally recalls the TinMan and Scarecrow marching with the Wicked Witch’s soldiers in the Wizard of Oz. The Coen Brothers, like Tarantino, steal from the best.
Speaking of stealing from the best, the story is a loose retelling of Homer’s Odyssey. Further, the iconic music is drawn from country and bluegrass classics, performed by legendary musicians like Earl Stanley and Emmylou Harris. In short, O Brother, Where Art Thou? is a treasured treat from the Brothers Coen.
It’s worth revisiting on a regular basis and that’s no joke. “Care for some gopher?”
George Clooney carries the movie, though surrounded by a tremendously impressive cast. Playing a dapper drifter down on his luck is perfect for gorgeous George, who is best when he can be ironic about his outrageous good looks. His Ulysses Everett McGill corresponds to Odysseus (Ulysses) in the Odyssey.
Joel & Ethan Coen are such prolific filmmakers that it’s hard to place O Brother, Where Art Thou? in their consistently terrific oeuvre. That said, O Brother, Where Art Thou? has all their hallmarks. It is darkly funny, strikingly original, exceedingly well crafted, referential and it satires serious subjects.