Who Framed Roger Rabbit harked back to a bygone era, even as it kicked-off today’s advanced one. It resuscitated hand-drawn cartoons, yet was the first to mix animation with live action, presaging the half-human, half-fake movies common ever since. Ironic, no. Oh yeah, Roger Rabbit is also drop-dead funny.
The opening is LOL to the max, a kids cartoon clearly inspired by The Cat in the Hat and delivered as a mashup of several Looney Toons characters, with a touch of Marilyn Monroe thrown in for good measure.
After that Hollywood-incarnate opening, the movie turns into Chinatown goes Tinseltown, with several stops in Toontown. Hollywood is never better than when it goes Hollywood. Steven Spielberg knows from Hollywood, making him the ideal Executive Producer for this benchmark movie. It is deep, sexy and sharp.
Bob Hoskins was not the first choice to play alcoholic private eye Eddie Valiant, but he wore it well. Resolutely deadpan no matter the situation, juxtaposed with goofy toons, he is a veritable homo erectus.
Who Framed Roger Rabbit sustains endless screenings, always funny, always brilliant, always deep.
Hollywood filmmaking old and new reached an apotheosis with Who Framed Roger Rabbit, a huge hit and enduring critical favorite. Plus it spoofed Hollywood itself, making it a Hollywood trifecta.
Jessica Rabbit raises the sex meter up to titillating all by her hot self, poking the edge meter to risqué.
So much can be written about the fabulous fakery of Spielberg & Zemeckis’s Roger Rabbit, just not now.
Regarding Wick’s Review
I’m going to add this to my “to see” list!