Miss Israel kicks ass as Wonder Woman. But that’s not all, not by a long shot. Wonder Woman is a perfect superhero movie, deeply of the genre, yet soaring above it. That puts it in the small pantheon of DC movies, deadly earnest in the DC tradition, a la The Dark Knight, yet shot through with profoundly charming LOLs. Wow, Wonder Woman saves the summer! That’s a superhero accomplishment if ever there was one.
Gal Gadot and Chris Pine make an exceptionally attractive pair of leads, physically and charismatically. The onetime Miss Israel plays earnest and deeply intelligent, while the onetime Cinderella’s Prince is charming, yet truly funny. We knew he was a major star, though his expanding range continues to dazzle. She, OTOH, is a bolt from the blue, the Wonder Woman for a new generation and a newly minted icon.
This tremendously well-crafted and inspired reboot imagines Wonder Woman as Princess of the Amazons, a race of super-attractive female warriors who apparently are totally asexual. Pity. Damn, but then it is a PG-13 blockbuster. There’s nothing even Sapphic, nor are men missed. As a guy, I was a happy voyeur.
As to villains, WWI Germans are equally outstanding movie creeps as their WWII Nazi successors. Plus, poison gas as a superweapon is both true to WWI history and even more potent a symbol when a Jewess plays the superhero who stops the Germans from gassing innocents. Deeply moving stuff, this.
Wonder Woman is a deserved global phenomenon, causing commotion from Amman to America, Israel to India. It didn’t bring me to tears, but did make me feel very good, often grinning ear to ear. It is wonder full.
Superhero movies are quintessential fantasies.
Fantastic filmic trickery aside, Wonder Woman is a cultural phenomenon because of its cultural resonance: to women most of all, but also to Jews, and especially to Israelis.