See this movie. It’s our duty as citizens, but also deeply cathartic. Tears ran down my face, twice, yet my heart was warmed. Real men behaving chivalrously does that to me, inspires a man-cry. Strong women too!
Unwieldy title aside, Only the Brave artfully recounts the story of the 19 Arizona hotshots killed in 2013. What was unfathomable is understandable now, after the movie, yet in a gentle way. We don’t see them die. The movie is about how they lived, loved and trained, followed by the brave grief of friends and families.
Basically, Only the Brave is the firefighters’ Lone Survivor: SEALs in the greatest bromance movie of all time, hotshots here. Just as SEALs aren’t ordinary warfighters, hotshots aren’t ordinary firemen. They’re the farthest thing from hose-monsters, these guys. They literally fight fire with fire, lighting backfires to fight forest fires, raging forest fires, far from help. Thus their camaraderie and sense of mission echoes the SEALs, and their exploits are very cool. Plus, Taylor Kitsch stars in both movies, which makes sense.
Many key moments are non-verbal, evincing a sophistication one might not expect from a movie about rough-hewn people in flyover country. Verbal or otherwise, a cast led by Josh Brolin, with Jennifer Connelly as his wife and Jeff Bridges his mentor, is bound to be damn great. These are big-time moviestars in roles commensurate to their particular talents. Miles Teller and Taylor Kitsch also do career-best work.
Men are men and women are women in rural Arizona. Both are strong, very strong, as is Only the Brave.
The cast carries the weight of playing all real people, 19 of them heroes who were killed in action.
Big time action combined with sophisticated human observation make Only the Brave an exceptional film. Carrying the weight of depicting the Yarnell Hill Fire – without flinching – bespeaks uncommon grace.
One terrific scene among many: a community of wives, family and friends awaits the terrible news about their men, when one hotshot enters the room. Instantly, everyone who sees him knows that his presence means their man is dead. Powerful and brilliant filmmaking, this!
You never have to cover your eyes, thank goodness!
Only the Brave apparently sticks admirably close to the facts, albeit I marked up its circoreality to 160% of actual reality to account for a modicum of artistic license.