Sylvester Stallone’s Rocky franchise lives on, now centered on a new generation and an African-American hero. This all works and provides a dose of social relevance, making Creed II a solid entrant in the Rocky canon. It’s also a better than average boxing movie, largely because it follows the Rocky formula to a tee.
That formula – nice-guy fighter gets savagely beaten as his sympathetic loved-ones stand behind him, after which he trains for a comeback that he wins in stirring fashion – proves especially durable in the hands of writer-director Ryan Coogler. Coogler has mastered another of Stallone’s tricks, delivering an unfailingly personal film even though its events and extremely formulaic storyline are hyped beyond all reason.
This second in the Creed era of Rocky movies is leavened by older characters with resonant backstories. Some even transcend into reality-based pop culture. Sylvester Stallone’s Rocky Balboa is legend #1, followed by Dolph Lundgren’s Ivan Drago from Rocky IV and Phylicia Rashad from Creed I. Brigitte Nielsen was also in Rocky IV, but looms larger due to her spectacularly dysfunctional marriage to Stallone.
Creed II isn’t a great movie, but is a damn good one. Old Rocky and young Creed form an affecting father-son duo (also part of the Rocky formula). Let’s hope they keep answering the bell for a few more rounds.
Michael B. Jordan ain’t no Sly Stallone when it comes to moviestar charisma, but is a plenty capable as his successor. That said, Jordan is an established and welcome moviestar, with Adonis Creed proving he can carry a big-time series. Just a year ago, he proved he could also be an intriguing bad-guy in Black Panther.
Sylvester Stallone is actually just a supporting actor as Rocky Balboa. But the old palooka still has it: rough hewn wisdom, kind of an idiot savant for life. His avuncular scenes with young Jordan are a treasure.
Stallone’s Rocky formula shows no signs of aging, even as boxing ain’t what it used to be and the Italian Stallion has been usurped by an African-American successor. Ryan Coogler gets much of the credit for this, no surprise from the writer-director of Fruitvale Station & Black Panther.