Hollywood loves Hollywood, always has and still does, especially Quentin Tarantino, local boy made good. He has outdone himself with Once Upon a Time … in Hollywood, which is quite simply Peak Tarantino.
It’s literally AND figuratively about Once Upon a Time in Hollywood: true crime events that happened there AND a morality tale about the movie & TV industry based there, the latter more than the former.
Indeed, Quentin unspools a subversive love affair with Baby Boomer TV addiction: Mannix, Combat, Green Hornet, The FBI & Bounty Hunter. That last one is fictional, a vehicle for Leonardo DiCaprio’s faux star Rick Dalton, loosely based on Burt Reynolds. Rick Dalton is a man facing his limitations in most dysfunctional fashion, heavily boozed-up. It’s a classic Leo DiCaprio role, being yet another forced march.
The smartest characters in the movie are all female, especially an 8-year old girl who is the best woman Rick Dalton ever meets. She makes him a better man, briefly. The other is Sharon Tate, who is shown as a deeply beautiful woman who reads serious literature, which she then gifts to her husband, Roman Polanski.
Thus, any feminist critique of Tarantino’s movie is hogwash. Not only are the women smarter, they’re also treated as equals in Quentin’s horror tinged revenge fantasies. Spectacular deaths come with the territory.
Margo Robbie & Brad Pitt play the movie’s two best characters, not to mention the two sexiest.
Moviestars aside, TV stars & celebrities too, it’s the film itself that makes Once Upon a Time special. Tarantino is at his best when his movies are grounded in reality: the Nazis and WWII in Inglorious Basterds, African-American slavery in Django Unchained. His styling then has something substantial to spoof. Where movies like Pulp Fiction are nothing but style, Once Upon a Time … in Hollywood is totally styling, yet leavened by the heaviness of the Manson Murders. Like I said up top — Peak Tarantino.
Brad Pitt & Margot Robbie are terrific, while Leonardo DiCaprio impressively grimaces his way through.
Lesser Characters
Once Upon a Time opens with the Columbia logo lit like sparklers … and Tarantino’s ode to Hollywood is off and running. Sparkling opening aside, it’s the ending that is shocking and – to some – controversial.
Tarantino is such a great filmmaker that he broke the curse of the foregone conclusion with a final twist of movie magic as the movie reaches its throat-catching climax. This pushes his film into perfection.
Yes, there is death by flamethrower and it gets self-respecting Tarantino fan cheering and laughing.
Deal with it.
Nevermind the highly surreal circoreality.
It’s the observations about Hollywood that are interesting in the long run.
USA Today – Everything you should know about Sharon Tate’s life when you see ‘Once Upon a Time’