This highly stylized production by the Brothers Coen has great fun with the cinematic staples of old time gangster movies. Certainly one of the best movies the Brothers C have made, Miller’s Crossing features scene stealing performances by Jon Polito and others.
While several of the actors do everything but chew the scenery, highly mannered sorts of characterizations are what a stylized production like this demands. In particular, John Turturro’s weaselly fink and Jon Polito’s ridiculously overbearing crime boss are the sort of theatrical performances one expects in a Coen Brothers’ movie.
Miller’s Crossing is less a film about Prohibition-era crime and corruption than about how those halcyon days were once portrayed in the movies. So production design – costumes, cars, interiors – counts for a lot. Miller’s Crossing consistently hits the mark with sumptuous rooms, indestructible hats, blazing Tommy Guns and lots of whiskey.
Stylized violence and implied debauchery.
Biologically surreal in the classic movie hero motif, and circumstantially glib as an artistic take on old movies is bound to be.