Charlie Wilson’s War is great American comedy, successful on many levels: belly-laugh funny, serious as a crutch, magnificently produced, charismatically performed. How could it not be? A feel good story about an oh-so-likable Texas Congressman taking it to the Evil Empire when no one else would, Tom Hanks as good as he’s ever been, Philip Seymour Hoffman in his most belly laugh funny role yet, and the estimable Mike Nichols directing a script from West Wing major domo Aaron Sorkin: this rich set of ingredients combines with a stylish and assured turn by Julia Roberts to create a movie that is politically deep and hedonistically shallow at the same time.
In this regard, I think it is superior to Sorkin’s A Few Good Men, since that one was fictional and far from funny. Further placing it high in the pantheon is to compare it to Forrest Gump, Hanks’ other All-Time-Great comedy drama. Admittedly still in the flush of just seeing CWW, I’m thinking it every bit the equal of the Great Gump.
Finally, what about the legendary Mike Nichols, where does CWW stand within his oeuvre? I’m thinking it is funnier than Carnal Knowledge (though Nicholson was a hoot in that picture) and as trenchant as The Graduate. In short, as good as anything he’s ever done. Which is really saying something.
Tom Hanks may not be the single greatest movie star, but who else has been at the center of so many all-time great movies? None that I can think of, even going back to Bogie and the other old time greats. If nothing else, Charlie Wilson proves Tom Hanks’ good old days are still happening.
Phillip Seymour Hoffman gives a career performance here, which is saying something for the man who became Capote. He is devastatingly funny as a CIA guy, who “with three other guys” was ineffectually trying to hamstring the Soviets from further spreading their evil around the world.
Julia Roberts, just this side of caricature – inform Mr. DeMille she’s ready for her close-up if she goes any farther – nonetheless handily pulls off the role of the rich, beautiful Texas divorcee with right-as-rails instincts about the biggest geopolitical issue of her time. That said, watch the video of the woman she’s playing to see that the Roberts version is harder and less attractive than the real life Joanne Herring.
Three cheers also for Charlie’s Girl Friday, played with dewy intelligence by Amy Adams, the best new starring actress since Reese Witherspoon hit the big time. Enchanted indeed, Adams’ loyal assistant maintains a constant look of frustrated adoration in the presence of Hanks’ randy boss man.
Last but not least are Charlie’s Angels, quite simply the comeliest set of office girls any red blooded elected representative could hope to have: Wynn Everett, Mary Bonner Baker, Rachel Nichols, and Shiri Appelby as the evocatively named “JailBait.” Charlie brags that he hired them for their natural attributes, then taught them typing, but somewhere along the way they also learned crack PR skills.
Sumptuously mounted, this rich and accomplished production pegs the Hollywood Treatment meter for (reasonably) current-event movies. The costuming alone is fabulous. Forget Julia Roberts’ gowns and jewels, just check out Hanks’ suits, ties and braces. They dressed him up mighty nice.
Wonderfully glib, all in the spirit of buoyant truthiness. I address this in some detail in the circoreality commentary below.
Regarding BigdaddyDave’s Review
Curious move at the least.
Regarding BigdaddyDave’s Review
Two fascinating observations in your review BigD:
I’m glad you agreed with me. I have come across some Julia Roberts fans that think anything she does is gold. Unfortunately for them, I don’t have the same view. I think that Julia has done some incredible acting, but it’s limited and those incredible roles are normally few and far between.
I’m with you about Julia Roberts, and love your observation that her recent acting attempts have ‘had maybe 10 minutes of screen time.’ Funny and true.
How could you go wrong? By having Tom Hanks and Julia Roberts in a movie.
I have not been a Tom Hanks fan since Castaway, and Julia Roberts recent acting attempts have had maybe about 10 minutes screen time. Definitely not what I would consider a dream team of acting.