Brilliantly conceived and executed, albeit ultimately annoying, this alien allegory of apartheid is a must see for sci-fi, action, and sociology buffs. Any movie “Presented by Peter Jackson” deserves to be seen, this one exceeding the usual sword and sorcerer shtick due to its clever play on the brutality of apartheid.
Both master and subjugated races – er, species – get brutalized: the latter as forced ghetto dwellers, the former as instruments of immoral force. Black and white humans – OTOH – are one united master species in Neill Blomkamp’s brilliant movie, suggesting it’s not who you are but what you do that matters. Homey.
The movie’s satisfying ending leaves the key characters alive for a sequel. Hmmm. The aliens – derogatorily referred to as “prawns” – end up in District 10. What could happen there next?
Sharlto Copley apparently never acted before playing lead here. Plus they say he ad-libbed his lines. Wow. Great as an everyman thrown into an unthinkable situation, the guy more or less rises to the occasion.
Other standouts:
Writer-Director and ex-FX guy Neill Blomkamp channels everything he knows professionally and personally – he grew up in Johannesburg during apartheid – into his film.
While the film contains more than its share of spectacle, it should work on the small screen almost as well as on the large due to the heavy use of faux documentary, hand-held video and TV news footage.
The movie exults in its ability to gross out the audience. This was as tiresome as it was gruesome in the opinion of this reviewer given how obvious was the intent to offend and how contrived the logic became as the movie progressed into its second and third reels.
Sure it’s a fantasy, full of the usual physical and biological liberties. That’s all fine, but the rampant illogic of how the prawns are portrayed marred what could have been a perfect movie. For instance, prawns are childlike and dim witted, except when they create and use technology that’s way beyond the ken of humans. This idiot savant notion just doesn’t fly.
Further, they’re larger, vastly stronger, have substantially better weapons, and are much more vicious in hand-to-hand fighting than humans, and yet they’re easily subdued. This too doesn’t fly.
It’s also worth noting that the apartheid allegory has a serious flaw. The aliens in the movie aren’t a native majority as were black South Africans under apartheid. Instead, they’re a helpless interloping minority.
These criticisms notwithstanding, the movie introduces at least one brilliant new idea into the SciFi canon: We always assume that aliens will be superior beings. What if they’re not? What if they’re helpless and annoying, more pest-like than conquerors? Interesting notion, that.
Thnx
Regarding MetalJunky5000’s Review
Thanks MetalJunky for posting the first review of District 9. I’ve been meaning to see it, and now want to see it even more after reading your take.