The beauty of New York City is captured in this comedy/drama from Woody Allen about a middle-aged writer who is rebounding from a bad marriage by dating a 17 year old, while also dating his friend’s mistress. Accented by the use of black and white filming, the movie exposes the duality of our desires. With music by George Gershwin, it is a wonderful portrait of NYC, with an intriguing story of choices in life.
Allen plays Isaac, a 42-year-old writer who has an ex-wife (Meryl Streep) writing a “tell-all” book about their marriage that is not flattering to Isaac. Issac is romantically involved with 17 year old Tracey (Mariel Hemingway, in an Oscar winning role), but also begins dating Mary (Diane Keaton) the older, but more neurotic mistress of his friend.
The great philosopher Aristotle claimed that true happiness is found in moderation, between excesses. This film really echoes that mentality, for while Issac should be dating Mary, the more age-appropriate woman; it’s ironically the teenager who is the most stable of the characters. Isaac’s friend Yale (Michael Murphy), enjoys the excesses in life with a beautiful wife and mistress, and at one point contemplates buying a Porshe, a useless yet expensive vanity gift when living on the island of Manhattan.
Of course, Allen is known for his self-depreciating commentary and dialogue, and this movie has plenty of that wit. Unlike W.C. Fields, whose commentary was more often negative attacks on others, Allen directs this comedic energy on himself, with wry observations delivered so quickly, that you want to rewind often to catch some of his gems.
A witty movie for those who like films that are more cerebral. I recognize that Woody isn’t for everyone, but in the end, I felt this was a clever picture.
Regarding BigdaddyDave’s Review
Love the Aristotle reference, BigD.